9.0 英语 · 2017 · 其它 · 纪录片
Frank,Drake,Carolyn,Porco,John,Casani,Lawrence,Krauss,Timothy,Ferris,Edward,Stone,Nick,Sagan,Larry,Soderblom,Charley,Kohlhase,Fran,Bagenal,James,F.,Bell,Frank,Locatell,Suzanne,Dodd,Jon,Lomberg,Heidi,H
Is it humankind's greatest achievement 12 billion miles away a tiny spaceship is leaving our Solar System and entering the void of deep space. It is the first human-made object ever to do so. Slowly dying within its heart is a plutonium generator that will beat for perhaps another decade before the lights on Voyager finally go out. But this little craft will travel on for millions of years, carrying a Golden Record bearing recordings and images of life on Earth. In all likelihood Voyager will outlive humanity and all our creations. It could be the only thing to mark our existence. Perhaps some day an alien will find it and wonder. The story of Voyager is an epic of human achievement, personal drama and almost miraculous success. Launched 16 days apart in Autumn 1977, the twin Voyager space probes have defied all the odds, survived countless near misses and almost 40 years later continue to beam revolutionary information across unimaginable distances. With less computing power than a ...
5.0 英语 · 2008 · 美国 · 欧美剧
特丽·哈彻,菲丽西提·霍夫曼,玛西亚·克劳斯,伊娃·朗格利亚,尼科莱特·谢里丹
《绝望的主妇》第五季是跳跃到了五年后。五年后的紫藤街将又是一番如何景象？ Katherine终于正式成为第六位主妇。Bree成了家政女王，她与Orson复合的前因后果会在第五季第1集揭晓；Gaby也成了妈，成了肥肥的黄脸婆；Susan将会有新男人；孩子不听话，Lynette焦头烂额；Eddie将会带上新男人和新秘密重返紫藤街。 新加盟的男演员Neal McDonough带来了新的神秘感，成为Eddie的新男人；Gale Harold（曾主演知名剧《同志亦凡人》）也将出演 Susan的新男人。Gaby的盲人丈夫Carlos在本季稍后将会复明！而这一重大转折将促使夫妇俩来个彻头彻尾的改变。据说会动用到整容医生。难道 Gaby就是这样戏剧性地从肥胖的黄脸婆回归到光鲜的？ 这一切都将发生在《绝望的主妇》第五季中。
9.0 英语 · 2007 · 美国 · 欧美剧
特丽·哈彻,菲丽西提·霍夫曼,玛西亚·克劳斯,伊娃·朗格利亚,尼科莱特·谢里丹
发生在Edie身上的一件事会在Fairview的左邻右舍中引起怎样的反应？Lynette的癌症病情进展如何？小区里又搬来了新邻居，他们又是什么人？ 一切都即将在9月30日《绝望家庭主妇》第四季首播中找到答案。 发生在紫藤街的好戏在新一季里将继续上演。在上季最后一集中，John Slattery（饰演Victor Lang）迎娶了Eva Longoria所饰演的Gabrielle。但是，在之后的采访中John说过，他在剧中露面的时日不会太多了。这就意味着一出大戏将要上演。而这场戏肯定同Ricardo Antonio Chavira所饰演的Gabby的前夫Carlos有很大关系。来自加拿大的喜剧明星Nathan Fillion在新季中将扮演一位新搬入的妇科医生。另外，一对男同性恋伴侣也将是新的角色。他们的加入，也将为本剧增加更多喜剧色彩。 对紫藤街来说，...
10.0 英语 · 2021 · 美国 · 欧美剧
奥利维亚·罗德里戈,约书亚·巴塞特,马特· 科耐特,索菲亚·怀利,乔伊·塞拉费尼,Larry Saperstein,Julia Lester,Dara Renee,Frankie A. Rodriguez,Mark St. Cyr,Kate Reinders,Adam Ian Cohen
剧版《歌舞青春》第2季发布前瞻视频，宣布东高戏剧部的学生们将要上演《美女与野兽》。新季目前正在拍摄中，预计今年Disney+开播。
10.0 英语 · 2022 · 美国 · 欧美剧
奥利维亚·罗德里戈,约书亚·巴塞特,马特· 科耐特,索菲亚·怀利,Larry Saperstein,Julia Lester,Dara Renee,弗兰基·A·罗德里格斯,乔伊·塞拉费尼,马克·圣·西尔,Kate Reinders,梅格·唐纳利,科宾·布鲁,奥利维亚·罗斯·基根,杰森·厄尔斯,阿里娅·布鲁克斯,Ben Stillwell
7.0 英语 · 2019 · 美国 · 欧美剧
奥利维亚·罗德里戈,约书亚·巴塞特,马特· 科耐特,Larry Saperstein,Julia Lester,Frankie A. Rodriguez,Kate Reinders,索菲亚·怀利,Dara Renee,Kaden Dayton,乔伊·塞拉费尼,Adeline Baker,Lauryn Cari?o,Kaison Cotton,Andres Penate,阿莱克斯·奎加诺,珍妮·萨卡
该剧共10集，是纪录片风格，时间设定在第一部电影推出后15年(类似真实生活时间)，讲述东高一群学生设计排演音乐剧《歌舞青春》，发现戏外的抓马跟剧中一样多。每集会有一首新歌，加上一首来自原电影的曲目。
7.0 英语,西班牙语 · 2006 · 美国 · 剧情片
西尔维斯特·史泰龙,伯特·杨,安东尼奥·塔沃尔,杰拉尔丁·休斯,米洛·文堤米利亚,托尼·伯顿,A.J.班扎,詹姆斯·弗朗西斯·凯利三世,塔莉娅·夏尔,卢·迪贝拉,吉姆·兰普利,迈克·泰森,亨利·G.桑德斯,佩德罗·拉沃尔,迈克尔·巴佛,弗兰克·史泰龙,托拜厄斯·西格尔,Woody Paige,Skip Bayless,Jay Crawford,布莱恩·肯尼,Dana Jacobson,Larry
转眼30年过去，往日的荣光渐渐不再。曾经的传奇拳王洛奇（西尔维斯特·史泰龙SylvesterStallone饰）生活平淡乏味，心爱的妻子亚德里安（TaliaShire饰）因癌症去世，自己与儿子的关系又分外紧张，他终日坐在所开的小餐馆里追忆往昔，谁也不会想到这位拳王退休后的人生竟如此落寞。是时，新一代的拳王横空出世，年轻的梅森·迪克逊（AntonioTarver饰）统治者重量级冠军的头衔。在体育频道工作的波利（BurtYoung饰）突发奇想，策划了一场新老两代拳王的世纪对决。梅森渴望在比赛中向拳迷们证明自己的实力，洛奇则希望在此感受万众欢呼呐喊的狂热气氛，他们怀着各自的心愿重返拳台……
8.0 普通话 · 2013 · 美国 · 热门动漫
阿芮尔·温特,黛西·罗斯·布莱内斯,扎克·卡利森,韦恩·布莱迪,海登·拜尔利,吉姆·卡明斯,科林·福特,蒂姆·古恩,马克西·奈特,特蕾丝·麦克尼尔,杰斯·哈梅尔,艾什莉·埃克斯坦,Elan,Garfias
故事发生在一个神奇的魔法王国之中，平凡的女孩苏菲亚（阿芮尔·温特 Ariel Winter 配音）和母亲美兰达（莎拉·拉米尔兹 Sara Ramirez 配音）过着相依为命的日子，一天，母女两人受到了国王罗伦二世（特拉维斯·韦林汉 Travis Willingham 配音）的召见，罗伦二世对米兰达一见钟情，娶她做王后，就这样，苏菲亚一下子就成为了一国的公主。
5.0 英语 · 1964 · 英国 · 战争片
德克·博加德,汤姆·康特奈,莱奥·麦凯恩,巴里·福斯特,彼得·科普利,詹姆斯·维利尔斯,杰瑞米·斯宾塞,Barry Justice,Vivian Matalon,基思·巴克利 ,James Hunter,Larry Taylor
ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.